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Tadeusz Biernot

"Man doesn't create, man only discovers". Cicero

THE MOTIVATION

The driving force behind my paintings is curiosity. The more I discover through the process of painting, the more that remains to be discovered. Each layer of paint, each brush stroke, ignites my memory and sparkS my imagination.

THE FASCINATION

I concentrate my attention on the expression of the human face. Our face is a striking part of the body. It is the strongest link between our earthy bodies and our ethereal souls. All feelings, emotions, desires and fears can be read in our faces. In my paintings, I am not attempting to portray the theatrical gestures and dramatic expressions of Caravaggio, but rather the simplicity you find in faces painted by Giotto. I want this simplicity to be provocative.
I was always fascinated with the relation between beauty and emotions. In my painting, I try to convey the feeling of the moment leading to the first kiss. I find it as hard to describe as a feeling you experience watching the shooting star.

THE PROCESS

Throughout the painting process, I am flooded by glimpses of faces, and memories of people I knew or was dreaming of. The stream of emotions attached to one image accelerates my memory, to the point that the overall picture becomes fragmented. My hand can't follow the fast pace of images created by my own imagi­nation. The process is analogous with the biology of life - it is a continuous revelation and destruction of the image, sometimes to the point of destruction of the canvas.
Faces I paint are more than decorative objects that exist only in superficial relation to the surrounding world. I don't want my paintings to convey any answers. Instead I want my subjects to feel the space between the painting and the viewer, to pursue the viewer to continue the contemplation.
By revealing and hiding, bringing to light and destroying, I want to give my subjects an existential dimension that is open to interpretation.

THE COLOUR

I arrive at a color scheme rather subconsciously. Mediums and tools are irrelevant to my painting process, but whatever I choose to use: pastels, acrylics, or oils, I search to create a specific aura around my subjects. The colours of some series of my paintings are varied. They change together with the mood of the subjects.

THE LIGHT

I believe there is no difference between light and truth. Light brings everything to life. Without light, there is darkness. Therefore light has a special meaning in my paintings. I light my subjects the way I want to bring them to the surface.

THE CONCLUSION

I have a feeling that alii did over those years was a mastering the same painting. But I'm still curious and I try to find the way to discover myself.



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Portfolio

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Portrait of Tristan   Portrait of Sonia  No looking back
Acrylic, Pastel, Oil Acrylic, Pastel, Oil Acrylic, Pastel, Oil
60x36 73x57 60x48
 
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